Apart from all the production I had going on since February, which you can read about in part 1, I worked on some illustration again.
It was nice to take some projects that weren’t that corporate and where I could draw the way I liked something the clients would also appreciate.
Nineteen 84 called up, and we worked together on an illustration for a new Cadillac model they were bringing in.
I had to do it in a day or so, and draw the car as a quick model sketch.
On another hand, I was asked by a friend to draw something about a book she’s been writing which is very personal.
I won’t reveal the meaning behind it all, but I can say it’s about struggle.
This illustration only took 30 minutes to do, but I had to sit down in front of the paper for at least an hour or two before knowing how I’ll throw the ink on the canvas to do justice to what she asked of me. I wanted to do justice to the emotions she had for this.
I also worked after that on something a bit less artistic, although it is a challenge in itself to find the right minimal images to suit big corporate business ideas: Visualizing.
I have been introduced to this technique by Carl from Coach Inc. Carl is a group coach and a consultant, who asks me to illustrate his meetings and corporate focus groups.
I unfortunately have nothing to show you on this one as the projects are confidential to respect the clients’ privacy, but on the next one, I’ll make sure to take a few snaps.
And one of my favorite jobs is touring with Mashrou’ Leila.
We went to Cairo again to play in the music tent.
This time was a bit different, as it was my second time in Cairo with them: I noticed some things about the egyptians I didn’t realize before: Cairo people, you know every word to every song, even the “3 minutes” that was released one week before the concert! You even sang louder than Hamed.
And egyptian teenage girls, I can’t even get over the fact of how high over a fence you can jump!
Dubai came next. The good thing about Dubai was reconnecting with friends. I got to see Rob from Delta Sound, crazy Isha, my lovely Sherine and many others. We got to meet some pretty cool ones too, including Steph, who took care of us royally!
The nice thing about having friends in a country where you tour, is that they make it feel like a vacation. Between the parties, the big group lunches, and the fact that we were walking around as a big pack, Dubai was amazing with the band.
To be a bit more serious and stick to the work: We opened the Dubai Design District, with John Newman in the line up too. The stage was huge, the sound was wicked, the VJs did an amazing job on the screens, I even saw Hamed turning around at some points to just watch the visuals flying behind him. But the most fun part of it all was the soundcheck in the sandstorm.
The tricky thing about these 2 weeks with Leila was prepping for Beirut at the beginning of the week, flying to Dubai, then getting back to play in our home country, where things weren’t as ready as we had hoped and prayed for.
But in the end, the concert and the crowd’s energy was wonderful! The animations on the 360 degrees’ venue was something very trippy to experience to the sounds of Leila.
There’s also the factor of watching the band’s vibe before and after the concert when they play in the town they started in.
Right after rocking it out with the band, partying after these awesome two weeks, I had to jump in directly with 4 hours of sleep to join my team at Sound of Music.
It was the first project I was doing with Clapping Hands and 2U2C, and the first theater/musical show I was producing.
Sound of Music made me realize the difference between a concert production and a theater one.
I always said it’s cool to have people from abroad who are always on the road, doing the same job as you, come in for a couple of days when you’re working on a concert, teach you a few tricks, have a couple of drinks, bond for a day or two and then leave. People you’ll never see again.
However, the first days of April were something different. You get to work with the same people, the same production team for about 10 days. Even more on other projects.
So cheers to Guy who taught me a lot. To manage a team that big with changes and urges that occur every minute… I gotta hand it to him, he has the patience of a saint.
And to Steve who turned out to be a big brother, one of those decent ones. To Jamie “Thor”, my stage left partner. That left that was always more fun. To the rest of the crew and cast who were funny as hell wherever. And as much as I enjoyed working with this funny english team, I am extremely proud of the team I brought in for this gig. Especially that the previous team bailed out, and I had to get people at the last minute.
Luana, you were a rock. Ranwa and Maggie, I have never had funnier bosses. Chiara, Alex, Souheil, Lary and Gerard, I gotta hand it to you, if it weren’t for the calm ones in the team, this would’ve been crazy over the top!
So this was February, March and a bit of April.
Right before another tour with Mashrou’ Leila.