July started out with Liban Jazz’s gig for Bombino. I had to work in the Music Hall Waterfront for the first time, which is maybe the most beautiful venue I’ve seen in a long time. This was also a test for me on Liban Jazz, as it is usually run by one person. The band was nice and fun to be with, and the music was different from what I usually work with. All in all, it was a good show.
As the festival got closer, I met up more and more at the Buzz Productions’ office: this year, my job was different on Byblos International Festival. I had to take care of operations rather than production. Wether it was transportation schedules, routing for bands, airport paperwork or even the streets’ marketing spread.
Although, I deployed my young production team at Byblos, under a different production manager’s name, at the last minute. So, I’m working even more backstage on backstage preparations. This is a test to what I can handle on a bigger plate, as it is the biggest project I have ever worked on these past three years. It’s also about me testing a young team of production assistant, site manager, runners, stagehands and interns, that I have no doubt will prevail to what is expected of them.
We greeted and produced various artists this July:
John Legend and his extraordinary team of musicians and technicians,
The Script’s mind blowing show and charisma, they knew how to make a crowd road,
Rodrigo Y Gabriela which were one my greatest discoveries this year, but who also discovered our local Safar band, and falling in love with Mayssa’s beautiful voice, calling her up on stage to join (sadly, she wasn’t present at the concert),
Gregory Porter who were just so funny to meet and work with, apart from having this huge amazing voice,
Mireille Mathieu who still kicks it at this age, and who went back for a second encore to a loud crowd, in her night gown and barefoot,
Hiba Tawaji and the Rahbani brothers, who enchanted as a local pride,
And Sacré Profane which was an interesting challenge for us to set up in a small church and garden for an opera show.
Right in the middle of Byblos’ Festival, we also had to work on Jim Beam’s Rock Festival. There was a stressful challenge for me to pull on this one with my team, because of last year’s problems: the schedule had to be respected with the local line up for the international band to play right on schedule and for the public to enjoy as many bands as they could. Although I am proud to be Lebanese, we all know most of us are always late, never respect timings and have a tendency to take details lightly in this industry. We had 7 bands on stage, and I am very proud to say that the first band delayed us by 10 min, which we made up for in 5 min changeovers, and were even early to greet Meen on stage. In the end, Glenn Hughes was on stage right on time, and rocked the hell out of it!
Another festival I got to work on, even if for a very brief and small touch, was Jounieh’s: a friend and artist, Poly, asked me to help her out at her opening for Jessie J’s concert. The cool thing about this, was discovering that her performance is not only musical, but also visual and very detail oriented. Keep an eye out for her, her videos are amazing to watch blasted behind her while she sings.
On another side of my motors, I got to work on design and illustration projects:
I helped out a friend with a Volvo pitch for the launching of a new car. Drawing boats and cars was a small change from what I did for the past months.
Added to that, one of my old girl scouts, who happens to be a chief now is taking her whole unit to camp in England. She called me up, asking for a logo for the voyage. The result is maybe one of the coolest logos I ever did, and had to finish in one day.